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    Bir direniş hikayesi Dengbej ve Stranbej olarak Eyşe Şan
    (İstanbul Bilgi Üniversitesi, 2019) Zaman, Rojda; Haydari Pakkan, Nazan
    Musical performing culture of ‘Dengbêj’ that is a part Kurdish oral culture and an important source of Kurdish history, is often seen as a tradition that enables the transmission of culture from past to present. Historically both men and women have always been the performers of dengbêj as the agents of this tradition and the primary source of oral history and oral culture. In the history, however, while men have been recognized as the visible representatives of dengbej, women were left behind in this practice by the patriarchial structure. Yet women continued to claim their presence as dengbej. By focusing on the story of women dengbej Eyşe Şan, who lived in Turkey between the years 1938-1984, this study aims to understand understudied area of Kurdish women’ history through dengbêj / stranbêj (singer) narratives. Emerging themes in the songs of Eyse San form a significant space for understanding Kurdish women's history and their forms of resistance.