Yazar "Ertek, Fevziye Hazal" seçeneğine göre listele

Listeleniyor 1 - 1 / 1
  • Küçük Resim
    Öğe
    The cinematic representation of architecture in the tv series: "Eşik" (Threshold)
    (İstanbul Bilgi Üniversitesi, 2022) Ertek, Fevziye Hazal; Çiçekoğlu, Feride
    ABSTRACT: This thesis focuses on how examples of architecture from the twenty-first century Turkey are reflected in the TV documentary series EŞİK (Threshold) with reference to the concepts of threshold and duration as developed by Bergson and Benjamin. Bergson underscored that problems should be defined in terms of time rather than in terms of space as summarized by Deleuze in Intuition as Method. Benjamin used this method intuitively while writing about the passages of Paris, and he emphasized experience as duration. The first season of the documentary series EŞİK was designed with a similar method, choosing thirteen buildings built in the twenty-first century. While presenting the buildings with a voice-over narration of their designers, the cinematographic representation aimed at offering an experiential point of view as if the spectators were moving through the spaces. The camera was used not as an alienated observer looking at the buildings and surfaces, but as a haptic interface inviting the observer to a lived experience of the spaces. "Haptic visuality" as coined by Laura Marks synthesizes a notion of embodied, tactile and multisensory visuality inspired by Bergson. The final aim of the documentary series was to initiate the spectator to visit the represented buildings by highlighting the effects of light, sound and the multisensory hapticity. Thus, the series itself was intended as a "threshold" to the prospective lived experience of the spectator. This thesis aims to conceptualize the haptic visuality of the series at a theoretical level.