The Yeni Müzik Scene in Türkiye: How did the ‘New Music’ Discourse Change Local Contemporary Music Practice?

Basit Öğe Kaydı
dc.authorid0000-0001-5768-0818en_US
dc.contributor.authorTuran, Dilara
dc.contributor.authorOğul, Belma
dc.date.accessioned2023-09-14T06:38:09Z
dc.date.available2023-09-14T06:38:09Z
dc.date.issued2023-06
dc.description.abstractAlthough the field of contemporary music composition in Turkiye is mainly considered an institutionalization grounded on the nation-state ideology and the cultural policies of the early republic period, the political, economic, and cultural changes experienced in the last 30 years have led to the formation of alternative discourses and new institutionalizations in the field. Among these new formations, the 'yeni muzik' discourse - which can be considered as the local manifestation of the 'new music' discourse that originates in the 20th-century art music canon and the new composition scene shaped around it have marked significant differences in the local contemporary music practice. By providing a critical overview of the local history of the field, examining the early emergence of 'yeni muzik', and documenting the post-2000s development of this new compositional institutionalization, the present paper proposes 'yeni muzik scene' as an alternative formation and discusses how it differs from its predecessor 'Turkish Contemporary Music' in terms of institutional, social and musical practices. Our account of the topic - which has hardly been studied in the literature - benefits from both historiographical and fieldwork practices, hoping to provide a continuous socio-cultural narrative that situates the 'yeni muzik scene' within the local history of contemporary music.en_US
dc.fullTextLevelFull Texten_US
dc.identifier.doi10.33906/musicologist.1185086en_US
dc.identifier.issn2618-5652
dc.identifier.scopus2-s2.0-85164797024en_US
dc.identifier.trdizinid1187600en_US
dc.identifier.urihttps://hdl.handle.net/11411/5179
dc.identifier.urihttps://doi.org/10.33906/musicologist.1185086
dc.identifier.urihttps://search.trdizin.gov.tr/yayin/detay/1187600en_US
dc.identifier.wosWOS:001041568300003en_US
dc.identifier.wosqualityQ3en_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.indekslendigikaynakScopusen_US
dc.indekslendigikaynakTR-Dizinen_US
dc.issue1en_US
dc.language.isotren_US
dc.nationalInternationalen_US
dc.numberofauthors2en_US
dc.pages49-77en_US
dc.publisherTrabzon Univ State ConservatoryTrabzon Universityen_US
dc.relation.ispartofMUSICOLOGISTen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectFolken_US
dc.subjectArten_US
dc.titleThe Yeni Müzik Scene in Türkiye: How did the ‘New Music’ Discourse Change Local Contemporary Music Practice?en_US
dc.typeArticleen_US
dc.volume7en_US

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