Female agency in Pelin Esmer films: The Play (2005) and Queen Lear (2019)

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dc.authorscopusid37094703300
dc.contributor.authorÇiçekoğlu, F.
dc.date.accessioned2024-07-18T20:16:38Z
dc.date.available2024-07-18T20:16:38Z
dc.date.issued2020
dc.description.abstractThis chapter focuses on two films of Pelin Esmer, The Play (2005) and Queen Lear (2019), which show how theater transforms the lives of a group of women from the countryside over fourteen years. The subjective experience of Esmer is also set forth by an in-depth interview covering her story from her first visit with a hand-held digital camera to a village in southern Turkey, initiated by a news item in 2003. Arendt's concept of plurality, as rejuvenated at the turn of the century by Kristeva, highlights the transformative power of storytelling with the premise "life is a narrative." The main argument of this chapter revolves around this premise, claiming that digitality and plurality increase female agency both on screen and behind the camera. © The Author(s) 2020.en_US
dc.identifier.doi10.1007/978-3-030-56100-0_3
dc.identifier.endpage43en_US
dc.identifier.isbn9783030561000
dc.identifier.isbn9783030560997
dc.identifier.scopus2-s2.0-85149353377en_US
dc.identifier.scopusqualityN/Aen_US
dc.identifier.startpage27en_US
dc.identifier.urihttps://doi.org/10.1007/978-3-030-56100-0_3
dc.identifier.urihttps://hdl.handle.net/11411/6205
dc.indekslendigikaynakScopusen_US
dc.language.isoenen_US
dc.publisherSpringer International Publishingen_US
dc.relation.ispartofFemale Agencies and Subjectivities in Film and Televisionen_US
dc.relation.publicationcategoryKitap Bölümü - Uluslararasıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectDigitality And Pluralityen_US
dc.subjectFemale Agencyen_US
dc.subjectPelin Esmeren_US
dc.subjectQueen Learen_US
dc.subjectStorytellingen_US
dc.subjectThe Playen_US
dc.titleFemale agency in Pelin Esmer films: The Play (2005) and Queen Lear (2019)
dc.typeBook Chapter

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