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    Female agencies and subjectivities in film and television
    (Springer International Publishing, 2020) Sezen, D.; Çiçekoğlu, F.; Tunç, A.; Thwaites Diken, E.
    This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors' multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television. © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2020.
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    The feminine indistinction in Susanne Bier's cinema: The Brothers (2004), In a Better World (2010), Bird Box (2018)
    (Springer International Publishing, 2020) Thwaites Diken, E.
    The chapter explores how the distinction between the inside and the outside and its different articulations (the local and the global, home and abroad, the present and the apocalyptic, the normal and the exceptional) are operationalized in a gendered fashion in Susanne Bier's films: The Brothers (2004), In a Better World (2010), and Bird Box (2018). The films subvert this distinction, giving important twists to the (im)possibilities of female subjectivity. While the 'outside' permeates the inside, society and nature, the present world and the apocalyptic, law and violence become indistinct categories. The chapter suggests that the apocalyptic paves the way to a messianic opening and the move from vision to touch marks the transition from the realm of the masculine symbolic order to the primal feminine ground zero. © The Author(s) 2020.
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    Introduction [2-s2.0-85149347915]
    (Springer International Publishing, 2020) Sezen, D.; Çiçekoğlu, F.; Tunç, A.; Thwaites Diken, E.
    This chapter offers an outline of the four women editors' academic paths' interweaving and overlapping with the #MeToo Movement and the worldwide transformation about how female agency and subjectivity is perceived in film and media industry. The outcome of the International Conference on Female Agency and Subjectivity in Film and Television that was held at Istanbul Bilgi University in April 10-13, 2019 is gathered under three sections for this book: "The women behind the camera", "women on screen", and "women in context and culture: representational struggles across genres and platforms." In this introduction, the editors pay their tribute to all women who have been kept invisible and mute in storylines, behind the cameras and in the production processes. © The Author(s) 2020.