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Öğe Contesting Labels: Revisiting old Questionnaires(Cambridge University Press, 2020-06) Ada, Serhan; Yücel, ŞebnemAs a response to several questionnaires, manifestos, interviews, and letters that were included in the bookModern Art in the Arab World: Primary Documents, this article carries out a new questionnaire with seven artists form various backgrounds and geographies, in an attempt to update and re-question some of the issues that were highlighted in the collected essays. The questionnaire includes three questions, each focusing on a different issue. The first issue considers the validity of the term "Arab Art," the second tries to identify the main dynamics of contemporary artistic production, and the last one questions the relation of contemporary production of arts to geography and history. The following interviews have been edited for consistency and clarity.Öğe Creating critical mass in cultural management education: Learning from an arts and cultural management programme in Turkey(Sage Publications Ltd, 2019) Ada, SerhanIf today the departments of cultural management (in its broadest term) have been in existence for almost four decades, it is in part because of the existence of the cultural industries. If this concept's founder and critical theorist, Theodore Adorno, indeed stigmatised cultural industries as predominance of profit horizontal ellipsis over culture, how can the rise and importance of this academic field be accounted for? This article proposes to reconstruct, analytically, a narrative of the rise of arts and cultural management departments, established almost two decades ago in Istanbul and which has been producing graduates in Turkey since that time. This article argues that, as a micro-case, the knowledge that this experience affords us is worth discussing and taking into consideration while trying to address the question of cultural industries as a pedagogic field.Öğe