Spectacle, Speculatve, Spectle: Situations in Sarah Kane, Sevim Burak, etc
Küçük Resim Yok
Tarih
2010
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Routledge Journals, Taylor & Francis Ltd
Erişim Hakkı
info:eu-repo/semantics/closedAccess
Özet
Reconsidering the Situationist texts, mainly Guy Debord's Society of the Spectacle, this article attempts to produce distinctions between the spectacle, the speculative and the 'spectile' via a reading of Deleuzian insistence that immanence should be created. Zigzagging between the texts of Sarah Kane and Sevim Burak, we suggest the urgency of 'the spectile' within the Deleuzian concept of 'becoming-woman' if an immanence, including both arts and art criticism, is not to yield to a transcending transcendental; if criticism is to produce an immanence that is only immanent to itself.
Açıklama
Anahtar Kelimeler
Spectile, Spectacle, Situationists, Hyperbole, Sarah Kane, Sevim Burak, Guy Debord, Detournement, Somnambulism, Criticism
Kaynak
Third Text
WoS Q Değeri
N/A
Scopus Q Değeri
Q2
Cilt
24
Sayı
4
