PUBLIC SPACE AS SECRET THEATRE: EAVESDROPPING WITH LOCATIVE AUDIO

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dc.authoridVerstraete, Pieter/0000-0003-2550-921X|Verstraete, Pieter Maria Gabriel/0000-0003-2550-921X
dc.authorwosidVerstraete, Pieter/CAI-9967-2022
dc.authorwosidVerstraete, Pieter Maria Gabriel/IWE-1368-2023
dc.contributor.authorVerstraete, Pieter
dc.date.accessioned2024-07-18T20:52:22Z
dc.date.available2024-07-18T20:52:22Z
dc.date.issued2014
dc.departmentİstanbul Bilgi Üniversitesien_US
dc.descriptionPerforming Arts Conference, PERFORMART '14 -- DEC 20-21, 2014 -- Istanbul Bilgi Univ, Istanbul, TURKEYen_US
dc.description.abstractIn this presentation, I will unpack the use of new personal mobile technologies like iPod and iPod Touch for creating new performative experiences of audio walks in public space. I will focus on three related aspects: - the social consequences of overhearing, eavesdropping, or in its more technical, pathological terms, ecouterism (as coined by Elisabeth Weis 2009) on the postmodern listening subject; - the dispossession of the listener in public space; - the end of the postmodern 'individual' listener in a rehabilitated sense of 'community' in the digital age. I wish to demonstrate how the iPod and iPod Touch are, to some extent, remediating intimate aesthetic sound and image experiences of the Sony Walkman, and yet, with the addition of locative technology (such as geo-tagging and geolocation), the theories of managing our urban experiences through mobile music media and personal stereo need to be revised. My approach will be much inspired by Critical Theory and Hosokawa's text on The Walkman Effect (1984), which I suggest to update with the above concepts.en_US
dc.description.sponsorshipIstanbul Bilgi Univ, Management Perform Arts Dept,DAKAM Eastern Mediterranean Acad Res Ctren_US
dc.identifier.endpage165en_US
dc.identifier.isbn978-605-5120-97-9
dc.identifier.startpage159en_US
dc.identifier.urihttps://hdl.handle.net/11411/8644
dc.identifier.wosWOS:000469908000020en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.language.isoenen_US
dc.publisherDakam Publishingen_US
dc.relation.ispartofPerforming Arts and Public Space, Performart '14en_US
dc.relation.publicationcategoryKonferans Öğesi - Uluslararası - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.titlePUBLIC SPACE AS SECRET THEATRE: EAVESDROPPING WITH LOCATIVE AUDIOen_US
dc.typeConference Objecten_US

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