EXPLORING GYPSY REPRESENTATION IN TURKISH CINEMA: A CRITICAL ANALYSIS FROM 1950 TO 2012

Basit Öğe Kaydı
dc.contributor.authorKaraş, Rojda Şükran
dc.date.accessioned2026-04-04T18:44:21Z
dc.date.available2026-04-04T18:44:21Z
dc.date.issued2024
dc.departmentİstanbul Bilgi Üniversitesi
dc.description.abstractThis scholarly article examines the depiction of the Gypsy community in Turkish cinema, focusing on 44 films released between 1950 and 2012. The aim of this study is to critically assess whether Gypsy characters in these films are portrayed merely as stereotypes or as fully realized characters with depth and complexity. This interest stems from the broader societal fascination with diverse cultures, particularly how mainstream narratives handle the customs, life experiences, and viewpoints of the Gypsy people. The research method entails a detailed content analysis of films that feature Gypsy characters, with specific attention to how these characters navigate their identities and the concept of 'otherness'. The term \"Gypsy\" is used thoughtfully throughout the paper, adhering to preferred contemporary nomenclature that respects the community’s identity while distancing from historically laden and pejorative labels. Results indicate a predominance of stereotypical portrayals within Turkish cinema, with Gypsy individuals frequently depicted as fortune-tellers, thieves, sorcerers, and exotic dancers who engage in colorful, musical performances. These characters often lack depth and are portrayed using a limited range of behaviors and language styles, which fails to capture the full breadth of the Gypsy identity. The study concludes that Turkish cinema has largely failed to move beyond superficial depictions of the Gypsy, highlighting a critical need for more nuanced and respectful representation in film. This paper contributes to the discourse on media representation of ethnic minorities, calling for a shift towards portrayals that genuinely reflect the diversity and richness of Gypsy culture.
dc.identifier.doi10.35826/ijoess.4487
dc.identifier.endpage1175
dc.identifier.issn2146-1961
dc.identifier.issue57
dc.identifier.startpage1162
dc.identifier.trdizinid1265585
dc.identifier.urihttps://doi.org/10.35826/ijoess.4487
dc.identifier.urihttps://search.trdizin.gov.tr/tr/yayin/detay/1265585
dc.identifier.urihttps://hdl.handle.net/11411/10098
dc.identifier.volume15
dc.indekslendigikaynakTR-Dizin
dc.language.isoen
dc.relation.ispartofUluslararası Avrasya Sosyal Bilimler Dergisi
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_TR-Dizin_20260402
dc.subject[Keyword Not Available]
dc.titleEXPLORING GYPSY REPRESENTATION IN TURKISH CINEMA: A CRITICAL ANALYSIS FROM 1950 TO 2012
dc.typeArticle

Dosyalar

Koleksiyon

TR Dizin Indexed Publications