METAMORPHOSIS FROM BEHIND THE BARS: SELAHATTİN DEMİRTAŞ’S LEYLAN
| dc.authorscopusid | 26035576100 | |
| dc.contributor.author | Parla, J. | |
| dc.date.accessioned | 2024-07-18T20:17:39Z | |
| dc.date.available | 2024-07-18T20:17:39Z | |
| dc.date.issued | 2024 | |
| dc.description.abstract | This article examines the Kurdish politician Selahattin Demirtaş’s prison novel Leylan (2OI9) in relation to the Turkish tradition of Künstlerroman, which dates back to the late nineteenth century.Through a reading of the figure of the writer manqué,it argues that Demirtaş occupies an unprecedented place in having staged the writer manqué as a subaltern autodidact rather than as a troubled intellectual,in uniting the political and the transcendental, and in affirming the potential hidden in incomplete texts and lives. © 2024 Penn State University Press. All rights reserved. | en_US |
| dc.identifier.doi | 10.5325/complitstudies.61.1.0049 | |
| dc.identifier.endpage | 61 | en_US |
| dc.identifier.issn | 0010-4132 | |
| dc.identifier.issue | 1 | en_US |
| dc.identifier.scopus | 2-s2.0-85188181531 | en_US |
| dc.identifier.scopusquality | Q2 | en_US |
| dc.identifier.startpage | 49 | en_US |
| dc.identifier.uri | https://doi.org/10.5325/complitstudies.61.1.0049 | |
| dc.identifier.uri | https://hdl.handle.net/11411/6674 | |
| dc.identifier.volume | 61 | en_US |
| dc.indekslendigikaynak | Scopus | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | Penn State University Press | en_US |
| dc.relation.ispartof | Comparative Literature Studies | en_US |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
| dc.rights | info:eu-repo/semantics/closedAccess | en_US |
| dc.subject | Kurdish Novel | en_US |
| dc.subject | Künstlerroman | en_US |
| dc.subject | Prison Literature | en_US |
| dc.title | METAMORPHOSIS FROM BEHIND THE BARS: SELAHATTİN DEMİRTAŞ’S LEYLAN | en_US |
| dc.type | Article | en_US |
