The impact of Artificial Intelligence on the curator-as-artist: revisiting Ventzislavov's concept in two cases of AI-based curating

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dc.contributor.authorYeginsu, Ipek
dc.date.accessioned2026-04-04T18:55:21Z
dc.date.available2026-04-04T18:55:21Z
dc.date.issued2026
dc.departmentİstanbul Bilgi Üniversitesi
dc.description.abstractThe use of Artificial Intelligence (AI) in art is increasingly widespread, and yet its effects are still far from being clear. The professional boundaries between the artist and the curator, particularly the curator-as-artist organizing thematic exhibitions are increasingly blurred, and AI complicates their division of labor even further. By performing theoretical analysis and case study, this paper examines how AI's recent entry into the artistic realm is impacting the role of the curator-as-artist using the theoretical framework offered by Rossen Ventzislavov's essay Idle Arts: Reconsidering the Curator (2014). Drawing upon the curatorial studies literature, it revisits the two central themes explored by Ventzislavov, i.e., the generation of artistic value, and the division labor between the artist and the curator. Using the theoretical instruments obtained from this examination, it comparatively analyzes two AI-based curatorial projects, namely the Helsinki Biennial titled New Directions May Emerge hosted by the Helsinki Art Museum and Act as if you are a curator: an AI-generated exhibition at Duke University's Nasher Museum of Art. The study finds that the art worlds emerging around AI are collaborative and interdisciplinary, and despite the growing pressure on the figure of the individual curator in charge, AI assemblages still rely on human curatorial agency and authorship, especially for curatorial storytelling and the mediation of the negotiations among the human participants in the cooperative network.
dc.identifier.doi10.1007/s00146-025-02462-z
dc.identifier.doi10.1007/s00146-025-02462-z
dc.identifier.endpage60
dc.identifier.issn0951-5666
dc.identifier.issn1435-5655
dc.identifier.issue1
dc.identifier.scopus2-s2.0-105009912372
dc.identifier.scopusqualityQ1
dc.identifier.startpage43
dc.identifier.urihttps://doi.org/10.1007/s00146-025-02462-z
dc.identifier.urihttps://hdl.handle.net/11411/10380
dc.identifier.volume41
dc.identifier.wosWOS:001522677600001
dc.identifier.wosqualityQ2
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakScopus
dc.language.isoen
dc.publisherSpringer
dc.relation.ispartofAi & Society
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.snmzKA_WoS_20260402
dc.snmzKA_Scopus_20260402
dc.subjectArtificial Intelligence
dc.subjectArt
dc.subjectCurating
dc.subjectTheory
dc.subjectVentzislavov
dc.titleThe impact of Artificial Intelligence on the curator-as-artist: revisiting Ventzislavov's concept in two cases of AI-based curating
dc.typeArticle

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