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dc.contributorMüzik Bölümü Yüksek Lisans Programıen
dc.contributor.advisorTekcan, Rana
dc.contributor.authorMazman, Alper
dc.date.accessioned2014-08-10T14:18:37Z
dc.date.available2014-08-10T14:18:37Z
dc.date.issued2007
dc.identifier.urihttp://hdl.handle.net/11411/186
dc.description65 pagesen
dc.description.tableofcontentsThe Ellison/Baraka Debate: The Conflict in (African) AmericanAcknowledgementsI. Introduction: Critical Representations of African AmericanMusic…… 1II. The Songs of Sorrow: The Spirituals in the Process ofAmericanization…… 6III. The People of the Blues: The Snowball Effect of the BluesAesthetic…… 16IV. The Representation of Modern Jazz and the Theory of AfricanAmerican Music…… 381. The conflict of the Old and New Guard: Bebop and the Future ofJazz…… 382. The Signifiyin(g) African American Culture: The Theory of AfricanAmerican Music…… 48V. Conclusion…………………. 57VI. Bibliography……………….. 59en
dc.language.isoenen
dc.publisherİstanbul Bilgi Üniversitesien
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.titleThe Ellison\Baraka debate: the conflict in (African) American musicen
dc.title.alternativeEllison\Baraka Tartışması: (Afro) Amerikan müziğinde çatışmaen
dc.typeThesisen


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